“And so you married her and took her drum away from her,” said Joan. “Oh, the thing God gives to some of us,” she explained, “to make a little noise with, and set the people marching.” Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them.!

It welcomed her, as always, with its smile of cosy neatness. The spotless curtains that were Mary’s pride: the gay flowers in the window, to which she had given children’s names: the few poor pieces of furniture, polished with much loving labour: the shining grate: the foolish china dogs and the little china house between them on the mantelpiece. The fire was burning brightly, and the kettle was singing on the hob. “How does one know when one is serving God?” she asked after a pause, apparently rather of herself than of Joan. “It seems so difficult.”

There was a note of exultation in her voice; and, as if in answer, something leapt into his eyes that seemed to claim her. Perhaps it was well that just then the bell rang for a division; and the moment passed. It would all fall out as she had intended. She would commence by becoming a power in journalism. She was reconciled now to the photograph idea—was even keen on it herself. She would be taken full face so that she would be looking straight into the eyes of her readers as she talked to them. It would compel her to be herself; just a hopeful, loving woman: a little better educated than the majority, having had greater opportunity: a little further seeing, maybe, having had more leisure for thought: but otherwise, no whit superior to any other young, eager woman of the people. This absurd journalistic pose of omniscience, of infallibility—this non-existent garment of supreme wisdom that, like the King’s clothes in the fairy story, was donned to hide his nakedness by every strutting nonentity of Fleet Street! She would have no use for it. It should be a friend, a comrade, a fellow-servant of the great Master, taking counsel with them, asking their help. Government by the people for the people! It must be made real. These silent, thoughtful-looking workers, hurrying homewards through the darkening streets; these patient, shrewd-planning housewives casting their shadows on the drawn-down blinds: it was they who should be shaping the world, not the journalists to whom all life was but so much “copy.” This monstrous conspiracy, once of the Sword, of the Church, now of the Press, that put all Government into the hands of a few stuffy old gentlemen, politicians, leader writers, without sympathy or understanding: it was time that it was swept away. She would raise a new standard. It should be, not “Listen to me, oh ye dumb,” but, “Speak to me. Tell me your hidden hopes, your fears, your dreams. Tell me your experience, your thoughts born of knowledge, of suffering.” “No,” maintained Joan stoutly. “I hate clothes.” As a matter of fact she didn’t, even in those early days. On the contrary, one of her favourite amusements was “dressing up.” This sudden overmastering desire to arrive at the truth about herself had been a new conceit.